Tengiz Giorgadze
He graduated from the acting faculty of Shota Rustaveli Georgian State University of Theatre and Film in 1980, and from the directing faculty in 2003. Since 1979 he works as an actor at Shota Rustaveli State Drama Theatre.
His important roles include: Zuriko (T. Chiladze’s “The Role of Start-up Actress,” director – R. Sturua),
Severian Isiani (“Requiem,” literary-dramatic composition, director – A. Varsimashvili),
Student (M. Shatrov’s “Blue Horses on Red Grass,” director – R. Sturua),
Kote (A. Tsagareli’s “Khanuma,” director – R. Sturua),
Kukuri Dikhaminjia (N. Tsuleiskiri’s “Ancient Chapel,” director – G. Gegechkori),
ElizbarEristavi (G. Batiashvili’s “Conspiration,” director – G. Kavtaradze),
Cain (M. Javakhishvili’s “Kvachi Kvachantiradze,” director – A. Varsimashvili),
Fiancé (F. García Lorca “Blood Wedding,” directors – M. Svirava, L. Tsuladze),
Freddy (based on the story by Charles Dickens, “A Christmas Dream,” directors – R. Sturua, L. Tsuladze, O. Egadze),
Edgar (Shakespeare’s “King Lear,” director – R. Sturua),
Banquo (Shakespeare’s “Macbeth,” director – R. Sturua),
Icho (G.Robakidze’s “Lamara”, director – R.Sturua),
Lord (F. Schiller’s “Mary Stuart,” director – G. Kapanadze),
Otia (R. Kldiashvili’s “Ladies of Shorapani,” director – M. Kuchukidze),
Cornelius, Bernardo, Osric (Shakespeare’s “Hamlet,” director – R. Sturua),
Bakur (O. Chiladze’s “Tsate’s Old Red Boots,” director – G. Lortkipanidze,)
Vazha (T. Chiladze’s“Birdie Died in Glen,” director – R. Sturua).
Policeman, Old Lovelace (L.Bart’s “Oliver!”, based on Charles Dickens “Oliver Twist”, director – D.Sakvarelidze)
His film credits include the following movies: “The Caucasian Chalk Circle”, “Richard III”, ”From Three to Six PM”,”A Tern”, “The Sea-gull”, “ Concerto for Two Violins Accompanied by Oriental Instruments”, “The Day of Hundred Ergasteriums”, “„The Martyrdom Of the Holy Queen Shushanik“, “Pepo”, “La Vida es Sueno”,”Jacob’s Gospel”, “Twelfth Christmas Night or What You Will”.
Also other movies: “Men and Others,” “Birdie,” “But What Then?!”
